|
Composer
|
Work
|
Date
|
Instrumentation
|
Duration
|
|
Robert Ashley
|
Quartet
|
1972
|
indeterminate
|
|
|
Richard Ayres
|
No
31***
|
1998
|
Solo
trumpet/ensemble
|
15’
|
| |
For
Alfred Wallis
|
1993
|
Singing
harpist
|
7’
|
| |
NONcerto***
|
1995
|
Solo
trbn. ensemble
|
13’
|
Joanna Bailie
|
Five
Famous Adagios
|
2003
|
cl
+ string trio
|
12’
|
Clarenz Barlow
|
1981
|
1981
|
Vln/cello/piano
|
8’
|
|
…until…
|
|
electronic
guitar + CD
|
|
|
Relationships
|
|
vln/vc/pf
|
|
|
Con
fuoco alla Giordano & Uccelli Unghersi (from Fruitti d’Amore)
|
|
solo
speaking cello
|
|
|
Piano
Concerto No. 2
|
|
tape
|
|
|
Estudio
Siete
|
|
computer
|
|
|
Kuri
Suti Bekar
|
|
computer
|
|
|
Varizioni
e un
|
|
|
|
|
David Behrman
|
Wave
Train
|
1966
|
Piano
+ feedback
|
15’
|
| |
Players
with Circuits
|
1966
|
Piano
+ electronics
|
7’
|
|
Henry Brant
|
Music
for a Five & Dime Store***
|
1936
|
Clarinet/piano
and kitchen percussion
|
6’
|
|
George Brecht
|
Water
Yam
|
1962
|
Indeterminate
|
indeter
|
|
Earl Brown
|
Folio
|
1950’s
|
Indeterminate
|
indeter
|
| |
Music
for cello & piano
|
1958
|
Cello/piano
|
10’
|
|
Sylvano Bussotti
|
Grand
Duo***
|
1977-78
|
Cello/piano
|
9’
|
| |
Setti
Fogli
|
1958-59
|
indeterminate
|
|
| |
Coeur
|
|
indeterminate
|
|
| |
Mobile-Stabile
|
|
indeterminate
|
|
| |
Sensitivo
|
|
indeterminate
|
|
|
John Cage
|
Harmonies***
|
1976
|
Keyboards
|
indeter
|
| |
Concert
for Piano….etc
|
1957-58
|
Solo
piano/ensemble
|
indeter
|
| |
Europera
5
|
1991
|
2
singers, piano, tape..
|
60’
|
| |
Five
|
1988
|
Any
5 insts.
|
5’
|
| |
Fontana
Mix
|
1958
|
Multi-track
tapes
|
indeter
|
| |
Four
³***
|
1991
|
1/2
pianos, violin, rainsticks
|
40’
|
| |
Music
for…
|
1985
|
Variable
Ensemble
|
30’
|
| |
Music
Walk
|
1958
|
Piano(s),
radio, objects
|
indeter
|
| |
Radio
Music
|
1956
|
1-8
radios
|
8’
|
| |
Seven
|
1988
|
Fl,cl,perc,pf,vn,vla,vc
|
20’
|
| |
Six
Melodies
|
1950
|
Vln/pno
|
9’
|
| |
Song
Books
|
1970
|
Voices/electronics/tape
|
indeter
|
| |
Speech
|
1955
|
5
radios/newsreader
|
55’
|
| |
Theatre
Piece
|
1960
|
1-8
performers
|
indeter
|
| |
Variations
I-IV
|
1958-1963
|
Indeterminate
|
indeter
|
| |
Music
for Three
|
|
|
|
|
Cornelius Cardew
|
Octet
‘61
|
1961
|
Indeterminate
|
“ “
|
| |
Autumn
‘60
|
1960
|
Indeterminate
|
“ “
|
| |
Treatise
|
1964
|
Indeterminate
|
“ “
|
| |
Volo
Solo
|
1966
|
Indeterminate
|
“ “
|
| |
Schooltime
Compositions
|
1968
|
Indeterminate
|
“ “
|
| |
Solo
with Accompaniment
|
1963
|
Indeterminate
|
“ “
|
| |
Second
String Trio
|
1958
|
String
trio
|
“ “
|
|
James Clarke
|
Delirium***
|
1996
|
Conducted
ensemble (vln/cello/piano/perc/fl/cl)
|
7’
|
| |
La
Violenza d’ell Idee
|
1991
|
Conducted
ensemble
(bass fl/bass cl/harp/perc/viola/dbass)
|
8’
|
| |
Verstörung
|
1990
|
Bass
clar/cello/piano
|
9’
|
| |
Deformierte
texte
|
1997
|
Sop/perc/piano
|
10’
|
| |
Afterglow***
|
1995
|
6
players
|
8’
|
| |
Oboe
Quintet
|
|
Oboe
& string quartet
|
|
| |
Delmenhorst
|
|
oboe/fl/cl/perc
+ string trio
|
|
| |
Verstörung
|
|
bass
cl/cello/piano
|
|
| |
Deformierte
Texte III
|
2003
|
cello/cl/trom/acc/voice
|
10’
|
|
Philip Corner
|
Lovely
Music***
|
1962
|
Indeterminate
|
“ “
|
| |
Punkt
|
1962
|
“ “
|
“ “
|
| |
Concert/Chirographic**
|
1961/62
|
“ “
|
“ “
|
| |
Gamelan
Series
|
1970s/90s
|
“ “
|
“ “
|
| |
elementals
|
1975
|
Indeter.
|
Up
to a week
|
| |
Satie’s
Rose Cross Prelude as a Revelation
|
|
voices/cello/harp/eguit/piano/perc
|
|
| |
Punktus
cum Punktum
|
|
cello/eguit/piano/harp
|
|
|
Laurence Crane
|
Trio
for Ros and Peter
|
|
Piano
trio
|
5’
|
| |
Jurgen
Hip
|
|
Cello/piano
3 hands
|
4’
|
| |
Hugo
Pine
|
|
Violin/piano
3 hands
|
4’
|
| |
Derridas
|
|
Piano
|
|
| |
Five
Preludes
|
|
Cello/piano
|
10’
|
| |
Sparling
|
|
Clarinet/piano(guitar)
|
5’
|
| |
Riis*
|
|
Organ/cello/clarinet
|
8’
|
| |
Second
Favourite Chord*
|
|
Cello
& piano
|
2’
|
| |
John White in Berlin
|
2003
|
cello/eguit/piano/perc
|
10’
|
| |
20th
Century Music
|
|
solo
piano
|
|
|
Ian Crutchley
|
Gear*
|
1999
|
Vln/clar.
|
8’
|
|
James Dillon
|
Redemption
|
|
Violin/clar/piano
|
9’
|
|
Marcel Duchamp
|
Erratum
Musicale
|
1913
|
Indeterminate
|
indeterminate
|
|
Hanns Eisler
|
Song
Arrangements
|
|
|
|
|
Morton Feldman
|
Durations
I-V
|
1950s/60s
|
Various
|
40’
|
| |
For
Franz Kline
|
1962
|
Spo/vn/cello/hn/chimes/pf
|
13’
|
| |
For
Frank O’Hara
|
1973
|
Fl/clr/per.
x 2/pno/vln/cello
|
13’
|
| |
I
met Heine…..
|
1971
|
Fl/cl/per/pno/vln/cell/
female voice
|
10’
|
| |
De
Kooning
|
1963
|
Hn/per/pn/vln/cello
|
10’
|
| |
The
O’Hara Songs
|
1962
|
Bass
bar/string trio/chimes/piano
|
10’
|
| |
4
Songs to e.e. cummings
|
1951
|
Sop/cello/piano
|
8’
|
|
Luc Ferrari
|
Watch
this space…..……….
|
|
|
|
| |
Bonjour
comment ça va?
|
|
bass
cl/vc/pf
|
|
| |
Chansons
pour le corps
|
1988-94
|
2
cl/perc/piano/DX7/solo voice/electronics
|
|
|
Michael Finnissy
|
Recent
Britain*
|
1998
|
Cl/cello/bass/pno/tape
|
25’
|
| |
WAM
|
1991
|
Piano
+ 2
|
15’
|
| |
In
Stiller Nacht
|
1990
|
Piano
trio
|
10’
|
|
Christopher Fox
|
Straight
Lines in Broken Times 2
|
|
Clarinet
/violin/piano
|
9’
|
| |
Straight
Lines… 3
|
|
Solo
cello
|
7’
|
| |
Skin*
|
1999
|
String
Trio
|
19’
|
| |
Memento***
|
|
Piano
Quartet
|
11’
|
| |
How
Time Passes
|
|
Solo
violin
|
7’
|
| |
An
der Schattengrenze
|
2002
|
cello/viola/dbass/trom/cl/piano/perc/bass
flute
|
17’
|
| |
Blank
|
2002
|
string
quartet
|
11’
|
| |
Composition
in black, yellow and red
|
2003
|
piano/perc/cello/acc
|
12’
|
| |
Oboe
Quintet
|
|
oboe
& string qt
|
|
| |
Heliotropes
6
|
|
string
quartet
|
|
| |
Generic
Compositions
|
|
all
instruments
|
|
| |
Everything
You Need To Know
|
|
|
|
|
Peter Garland
|
Where
Beautiful Feathers Abound
|
1988
|
Piano
Quartet
|
13’
|
|
Malcolm Goldstein
|
It
were another
|
|
|
|
| |
Vermont-TheSeasons
|
1983
|
Ensemble/tape
|
60’
|
|
Daniel Goode
|
Eine
Kleine Gamelan Music***
|
|
Clarinet/cello/piano/
trombone
|
2’
|
| |
(Wind)
Symphony***
|
1983
|
Ensemble
|
indeter
|
|
Bryn Harrison
|
Four
Parts to Centre
|
2002
|
viola/cello/eguit/cl
|
17’
|
|
Volker Heyn
|
i(NA)***
|
1994
|
Voice
& electric guitar
|
8’
|
|
Pelle-Gudmundsen Holmgreen
|
Plateaux
Pour Deux
|
1970
|
Cello
and car horns
|
14’
|
| |
Mirror
Pieces
|
1980
|
Clar/cello/piano
|
17’
|
|
Klaus Huber
|
Des
Dichters Pflug
|
1989
|
String
Trio
|
13’
|
| |
Schatten
Blätter
|
1975
|
Clr/cello/piano
|
12’
|
| |
Lazarus
I/II***
|
1980
|
Cello/piano
|
8’
|
|
Klaus K. Hübler
|
Chanson
sans Paroles***
|
1978
|
Cl/cello/piano
|
9’
|
|
Jerry Hunt
|
Chimanzzi
(Olun): double
|
|
version
for eguit/piano/perc/cello
|
|
|
Tom Johnson
|
Naryana’s
Cows***
|
1989
|
Cl/cello/piano/voice
|
16’
|
| |
Predictables
|
1984
|
Piano
trio
|
15’
|
| |
Einstimmiger
Polyrhythmus***
|
1992
|
Cello/guitar/clar
|
16’
|
|
Mauricio Kagel
|
Piano
Trio in 3 Parts
|
1985
|
Violin/cello/piano
|
25’
|
| |
Unguis
Incarnatus Est
|
1972
|
Bass
inst./piano
|
10’
|
|
Dorothy Ker
|
Water
Mountain*
|
1999
|
Cl/vln/cello
|
10’
|
|
Hans w. Koch
|
Strang
|
2002
|
harp/cello/eguit/electronics
|
8’
|
|
Helmut Lachenmann
|
Allegro
Sostenuto
|
1986
|
Cl/cello/piano
|
30’
|
|
John Lely
|
Fall
in the fresh lap of the cloudy messenger
|
2002
|
string
quartet/organ/CD + hotel desk bells
|
10’
|
| |
Les
Gnocchis de l’automne
|
2003
|
cello/piano/eguit/perc/harp
|
10’
|
|
Alvin Lucier
|
Letters
|
1990’s
|
Cl/vln/cello/pno
|
8’
|
| |
Fidelio
Trio
|
1987
|
Vla/cello/piano
|
12’
|
| |
Music
on a Long Thin Wire
|
|
electronics
|
|
|
George Maciunas
|
Piano
Piece #13 (for Nam June Paik)
|
|
piano,
hammer and nails
|
|
|
Jackson Mac Low
|
Gathas
|
1986
|
Voices/insts.
|
indeterminate
|
| |
Dream
meditation
|
|
Voices/insts.
|
“ “
|
|
David Mahler
|
Two
Voices
|
1986
|
2
voices/2 insts.
|
5’
|
|
Daniel Matej
|
Make
Love, Not Art!
|
1993
|
indeterminate
|
10’
|
|
Harald Muenz
|
Accumulated
strings
|
2002
|
harp/cello/eguit/electronics
|
12’
|
| |
BeethovEnBloc
|
|
A
DAT tape
|
|
| |
“schweigenderest”
|
|
A
DAT tape
|
|
|
Chris Newman
|
Songs
of Social Conscience
|
1991
|
Voice/ensemble
|
15’
|
| |
Berlin
Note Rows
|
|
Voice/ensemble
|
|
| |
String
Quartet
|
1981
|
string
quartet
|
|
| |
Cologne
or Belgium
|
|
trombone/voice
|
|
|
Phill Niblock
|
Not
Untitled/Knot Untied, Old
|
|
Indeterminate
|
22’
|
|
Harry Nitz
|
12-1-LXXIX
& 6-1-LXXXI
|
2002
|
string
quartet/harp
|
12
& 6’
|
|
Helmut Oehring
|
Cayabyab***
|
1993
|
Bass
cl./cello/vibr.
|
18’
|
| |
Losheit***
|
1992
|
Violin/cello
|
15’
|
| |
Locked
- in –***
|
1992
|
Guitar/string
trio
|
18’
|
| |
FoxFire
Eins***
|
1994
|
Solo
amp. cello
|
10’
|
| |
Live
(aus:Androgyn)***
|
1997
|
Voice,
piano trio/elec.
|
19’
|
| |
Sexton
A. (new version)
|
|
Solo
cello
|
|
| |
Cayabyab
(new version)
|
|
Bass
fl/vc/perc
|
|
| |
Furcht
und Begierde, Dramma in Musica
|
|
deaf
soloists, bass fl/voice, solo e-guitar, perc, pf/kbd, vln, vc, bass,
live electronics
|
|
| |
Losheit
(new version)
|
|
Bass
fl/vc
|
|
| |
ER.eine
She (aus: 5ÜENF/Haare-Opfer)
|
|
3
deaf soloists/voice/ bassfl/vc/live electronics and installations
|
|
| |
FoxFire
Drei
|
|
percussion
solo
|
|
|
Tim Parkinson
|
String
Quartet
|
2002
|
string
quartet
|
11’
|
|
Michael Parsons
|
Apartment
house Suites 1* & 2*
|
1998/99
|
Indeterminate
ensemble
|
30-40’
|
| |
Pentachordal
Melody
|
1982
|
“ “ “ “ “
|
10’
|
| |
Piece
for harp and string quartet
|
2002
|
harp
& string quartet
|
7’
|
|
Larry Polansky
|
Ensembles
of Note
|
1998
|
Indeterminate
|
20’
|
|
Alwynne Pritchard
|
Der
Glücklose Engel*
|
1999
|
Cl/vln/cello
|
9’
|
| |
Geometry
of Pain 1
|
2002
|
voice/cello/guitar
|
12’
|
| |
Impossibility
|
|
cl/cello/guit/voice
|
|
|
Roger Redgate
|
+R
|
|
solo
clarinet
|
|
|
Giacinto Scelsi
|
Duo
|
1965
|
Violin/cello
|
10’
|
| |
Ko-Tha
|
|
solo
guitar
|
|
|
Dieter Schnebel
|
Anschläge-ausschläge***
|
1965
|
Cello/flute/harpsichord
|
20’
|
| |
Marsysas***
|
1982
|
Cello/clarinet
|
7’
|
|
Kunsu Shim
|
Joy*
|
1998
|
Indeterminate
|
30’-90’
|
| |
Hören***
|
1995
|
Various
insts. Comb.
|
2’
|
| |
Luftrand
(für Klaus und Dirk)
|
|
string
trio
|
|
|
Hugh Shrapnel
|
Chamber
Music
|
1968-72
|
Indeterminate
|
indeterminate
|
|
Howard Skempton
|
Lament
|
1980’s
|
Clarinet/cello/piano
|
6’
|
| |
Air
Melody
|
1970
|
Melody/drone
|
2’
|
|
Mathias Spahlinger
|
Vier
Stucke***
|
1986
|
Sop/vln/clr/cello/pno
|
10’
|
| |
128
Erfüllte Augenblicke
|
|
soprano/cl/cello
|
|
|
Gerhard Stäbler
|
Drüber***
|
1972/73
|
8
screamers, cello/tape
|
20’
|
| |
…Fürs
Vaterland:-
|
1981/82
|
Baritone/ensemble
|
18’
|
| |
Den
Mühllfahren von San Francisco***
|
1989/90
|
7
players (conducted)
|
13’
|
| |
Karas.Krähen***
|
1994/95
|
Vocalist/acc.cello/perc.
Tape
|
18’
|
| |
Hart
auf Hart
|
1986
|
Indeterminate
|
Indeterminate
|
| |
Winter
Blumen
|
1995
|
Cello
+ accessories
|
15’
|
| |
Belfast
Breakfast Songs***
|
1996
|
Solo
voice
|
5’
|
| |
Traum
|
1992
|
Sax/clar.
Cello/piano
|
18’
|
| |
New
work
|
2003
|
cello/trom/cl/acc/voice
|
20’
|
| |
Strafkolonie***
|
|
solo
voice with drum
|
|
|
James Tenney
|
Harmonium
#5
|
1984
|
String
Trio
|
15’
|
| |
Critical
Band
|
1980’s
|
Indeterminate/tape
|
20’
|
| |
In
the Aeolian Mode
|
1970
|
Ensemble
|
20-30’
|
|
Markus Trunk
|
Slightly
ajar***
|
1993
|
Indeterminate
|
indeterminate
|
| |
Parhelion
|
1999
|
Violin/viola/celesta
|
8’
|
| |
Spelling
Lesson
|
1995
|
Piano/voice/glockenspiel
|
10’
|
|
Chao-Ming Tung
|
Shu-Zheng
|
2002
|
harp
and chinese instrument
|
13’
|
|
Andreas Wagner
|
Fraktale
7
|
2002
|
indeterminate
|
16’
|
|
Jennifer Walshe
|
Live
Nude XXX Girls
|
2003
|
cello/cl/trom/acc/2
voices/video
|
35’
|
|
Anton Webern
|
Kammer
musik
|
|
|
|
|
John White
|
PT
Machine
|
1970’s
|
Indeterminate
|
Indeterminate
|
| |
Cello
& Tuba Machine
|
1968
|
Cello
& tuba !
|
2-5
hours…………
|
| |
Drinking
and Hooting Machine
|
1969
|
Bottles
& drinkers
|
Indeterminate
|
| |
C.
Major Chord Machine
|
|
4
organs
|
|
|
Christian Wolff
|
Exercises
|
1970’s
|
Indeterminate
|
Indeterminate
|
| |
Eisler
Ensemble Pieces
|
1983
|
Cl/vln/cello/pno
|
15’
|
| |
Snowdrop
|
1971
|
Indeterminate
|
Indeterminate
|
| |
Burdocks
|
1968
|
“ “
|
“ “
|
| |
Edges
|
1968
|
“ “
|
“ “
|
| |
Apartment
House Exercise
|
2003
|
indeterminate
|
indeterminate
|
| |
Braverman
Music
|
|
indeterminate
|
|
| |
For
1, 2 or 3 People
|
|
indeterminate
|
|
| |
Bread
and Roses
|
|
solo
piano
|
|
| |
String
Trio
|
|
string
trio
|
|
| |
|
Download
as PDF