Composer
|
Work, Year of composition, Première details, Duration
|
GARETH DAVIES
|
Four Etudes
(1994) 18'
|
RAYMOND DEANE
|
Rahu's Rounds
(1998) 10'
|
CORNELIS DE BONDT
|
Grand Hotel (1988)**
35'
|
CLAUDE DEBUSSY
|
Complete Piano Works:
Arabesques
|
|
Children's Corner
|
|
Estampes
|
|
12 Etudes
|
|
Images Books 1 & 2
|
|
L'Isle Joyeuse
|
|
24 Preludes
|
|
Pour le Piano
|
|
Suite Bergamasque
|
|
shorter pieces
|
CHRIS DENCH
|
Topologies (1981)** 12'
Tilt (1985-86) 8'
|
|
Esperance (1986)** 3'
|
|
Helical (1975)** 3'
|
|
Pas Seul 1 (1979)**
5'
|
|
Pas Seul 2 (1979)**
5'
|
|
Into the Wormworks (1995-96)**
6’
|
|
Le Passacaglie (harpischord)
(1993)*** 11.5'
|
JAMES DILLON
|
Spleen (1980)
8'
The Book of Elements Volume 1 (1996-97)
12'
|
|
The Book of Elements Volume
2 (2001)
16'
|
|
The Book of Elements Volume
3 (2000-01)***
16'
|
|
The Book of Elements Volume
4 (2002)***
14'
|
|
The Book of Elements Volume
5 (2002)***
13'
|
FRANCO DONATONI
|
Rima (1983) 7'-8'
|
GORDON DOWNIE
|
Piano Piece 1 (1993)
10'
Piano Piece 2 (1995) 10'
|
JOEL-FRANCOIS DURAND
|
Le Chemin
(1994) 17'
|
FREDERIC DURIEUX
|
Marges II for
piano and ensemble (1989) 15'
|
PASCAL DUSAPIN
|
Études 1-7 (1998-2001)
48' *** of 4 and 5
A Quia for piano and orchestra (2001-2002) **** 27'
|
HENRI DUTILLEUX
|
Sonata (1947) 25'
|
SIMON EMMERSON
|
Piano Piece 6 (1985)
14'
|
RICHARD EMSLEY
|
Finnissy's Fifty (1996)***
1'
For Piano 1 (1997) 11'
|
|
For Piano 2 (1997)***
7'
|
|
For Piano 3 (1997-98)***
2.5'
|
|
For Piano 4 (1998)***
5'
|
|
For Piano 6 (1999)***
7'
|
|
For Piano 10 (1999)***
6'
|
|
Little Sunderings (1997)
6'
|
JAMES ERBER
|
Aurora (1989) 6'
Nel Mezzo (1994)*** 3'
|
|
You done torn your playhouse
down (1996)*** 5'
|
|
Abiya (1995)*** 10'
|
|
Fluctuations (1999)*** 8'
|
| ANNAMARIA
FEDERICI/ ANGELA SOLITO |
Tangram (1997)*** 5'
|
MORTON FELDMAN
|
Two Intermissions (1950)
4'
Variations (1951) 6'
|
|
Piano Piece 1952 3'
|
|
Extensions 3 (1952)
4'
|
|
Intermissions 3, 4 (1952)
3'
|
|
Intermission 5 (1952)
3'
|
|
Intermission 6 (1953)
indet
|
|
Three Pieces for Piano (1954)
7'
|
|
Piano Piece 1955 2'
|
|
Piano Piece 1956a 2'
|
|
Piano Piece 1956b 2'
|
|
Last Pieces (1959)
11'
|
|
PIano Piece (to Philip Guston)
(1963)
4'
|
|
Vertical Thoughts 4 (1963)
3'
|
|
Piano Piece (1964)
3'
|
|
Triadic Memories (1981)
85'
|
|
For Bunita Marcus (1985)**
70'
|
|
Palais de Mari (1986)
20'
|
BRIAN FERNEYHOUGH
|
Epigrams (1966) 8'
Three Pieces (1966-67) 15'
|
|
Lemma-Icon-Epigram (1981) 14'
|
|
Opus Contra Naturam (1999-2000)***
17'
|
MICHAEL FINNISSY
|
Complete Piano Works:
Song 5 (1966-67) 7'
|
|
Song 6 (1968/96)***
3'
|
|
Song 7 (1968-69)
4'
|
|
Song 8 (1967)
10'
|
|
Song 9 (1968)
7'
|
|
Autumnall (1968-71) 5'
|
|
Snowdrift (1972) 10'
|
|
Ives (1974) 5' - Grainger (1979) 4'-
Nancarrow (1979-80) 4'
|
|
Jazz (1976) 5'
|
|
Three Dukes went a-Riding
(1977/96)***
4'
|
|
English Country Tunes (1977/1982-85)
45'
|
|
all.fall.down (1977) 8'
|
|
To and Fro (1978/95)***
4'
|
|
We'll get there someday
(1978)
3'
|
|
Fast Dances, Slow Dances
(1978-79)
18'
|
|
Piano Concerto No. 4 (for
solo piano) (1978-80/96)*** 20'
|
|
Boogie-Woogie (1980/81/85/96)*** 4'
|
|
Piano Concerto No. 6 (for
solo piano) (1980-81) 15'
Liz (1980-81) 1'
|
|
Free Setting (1981/95)
8'
|
|
Reels (1980-81) 8'
|
|
White Rain (1981)
5'
|
|
Terekkeme (1981/1990) 5'
|
|
Verdi Transcriptions (complete)
(1972/1982-88/1995)*** 70'
|
|
Hikkai (1982-83) 5'
|
|
Australian Sea Shanties
Set 2 (1983)
6'
|
|
Two Teaching Pieces (1984)
2'
|
|
G.F.H. (1985)** 2'
|
|
B.S. (1985-86)** 2'
|
|
Taja (1986) 5'
|
|
Two Teaching Pieces (1986)
2'
|
|
Gershwin Arrangements (1975-88)
40'
|
|
Lylyly li (1988-89)
8'
|
|
Wee Saw Footprints (1986-90)
15'
|
|
Pimmel (1988-89) 4'
|
|
More Gershwin (1989-90/98-99)
30'
|
|
Sometimes I.... (1990)
3'
|
|
Can't Help Lovin' Dat Man
(1990)
10'
|
|
Two of Us (1990)
2'
|
|
My Love Is Like a Red Red
Rose (1990) 3'
|
|
De toutes flours (1990)
4'
|
|
How dear to me (1991)
3'
|
|
William Billings (1990)
4'
|
|
Vanen (1991) 3'
|
|
Rossini (1991)*** 3;
|
|
There never were such hard
times before (1991) 2'
|
|
French Piano (1991)
6'
|
|
Willow Willow (1991)
2'
|
|
Cibavit Eos (1991)**
|
|
New Perspectives on Old
Complexity (1990-92)*** 5’
|
(Finnissy)
|
English Country Tunes (1977/1982-85)
45’
|
|
all.fall.down (1977) 8’
|
|
To and Fro (1978/95)***
4’
|
|
We’ll get there someday
(1978)
3’
|
|
Fast Dances, Slow Dances
(1978-79)
18’
|
|
Piano Concerto No. 4 (for
solo piano) (1978-80/96)*** 20’
|
|
Boogie-Woogie (1980/81/85/96)*** 4’
|
|
Piano Concerto No. 6 (for
solo piano) (1980-81) 15’
|
|
Liz (1980-81) 1’
|
|
Free Setting (1981/95)
8’
|
|
Reels (1980-81) 8’
|
|
White Rain (1981)
5’
|
|
Terekkeme (1981/1990) 5’
|
|
Verdi Transcriptions (complete)
(1972/1982-88/1995)*** 70’
|
|
Hikkai (1982-83) 5’
|
|
Australian Sea Shanties
Set 2 (1983)
6’
|
|
Two Teaching Pieces (1984)
2’
|
|
G.F.H. (1985)** 2’
|
|
B.S. (1985-86)** 2’
|
|
Taja (1986) 5’
|
|
Two Teaching Pieces (1986)
2’
|
|
Gershwin Arrangements (1975-88)
40’
|
|
Lylyly li (1988-89)
8’
|
|
Wee Saw Footprints (1986-90)
15’
|
|
Pimmel (1988-89) 4’
|
|
More Gershwin (1989-90/98-99)
30’
|
|
Sometimes I.... (1990)
3’
|
|
Can’t Help Lovin’ Dat Man
(1990)
10’
|
|
Two of Us (1990)
2’
|
|
My Love Is Like a Red Red
Rose (1990) 3’
|
|
De toutes flours (1990)
4’
|
|
How dear to me (1991)
3’
|
|
William Billings (1990)
4’
|
|
Vanen (1991) 3’
|
|
Rossini (1991)*** 3;
|
|
There never were such hard
times before (1991) 2’
|
|
French Piano (1991)
6’
|
|
Willow Willow (1991)
2’
|
|
Cibavit Eos (1991)**
|
|
New Perspectives on Old
Complexity (1990-92)*** 5’
|
|
Nine Romantics (1992)
25’
|
|
Wenn wir in hochsten Nothen
sind (1992) 4’
|
|
A solis ortus cardine (1992)
2’
|
|
John Cage (1992)
2’
|
|
Cozy Fanny’s Tootsies (1992)***
|
|
‘What the meadow-flowers
tell me’ (1993) 3’
|
|
Folklore 1-4 (1993-94)**
72’
|
|
The larger heart, the kindlier
hand (1993) 1’
|
|
...desde que nace (1993)
1’
|
|
Five Yvaroperas (1993-95)***
11’
|
|
Elephant (1994)*** 2’
|
|
Ethel Smyth (1995)
4’
|
|
Violet, Slingsby, Guy and
Lionel (1994-96)***
18’
|
|
Tracey and Snowy in Koln
(1996)
2’
|
|
Honky Blues (1996)**
1’
|
|
Georghi Tutev (1996)
4’
|
|
Tu me dirais (1996)***
3’
|
|
Meeting is pleasure, parting
a grief (1996)*** 1’
|
|
Tangos 1-22 (1962-99)***
45’
|
|
History of Photography in
Sound (1996-2000)***
330’. Contains:
|
|
1. Le démon de l’analogie
(2000)
20’
|
|
2.i. Le réveil de l’intraitable
réalité (2000) 20’
|
|
2.ii. North American Spirituals
(1997-98)**
25’
|
|
2.iii. My Parent’s Generation
thought that War meant something(1999) 25’
|
|
3.i. Alkan-Paganini: An
Imaginary Portrait (1997)** 15’
|
|
3.ii. Seventeen Immortal
Homosexual Poets (1997)*** 40’
|
|
3.ii. (part) Portrait of
Frank O’Hara as Orpheus in Hell (1997)*** 3’
|
|
3.iii.Eadwaerd Muybridge-Edvard
Munch (1997)**
25’
|
|
4.i.Kapitalistiche Realisme
- mit Sicilianer Männerakte und Bachsche Nachtdichtungen (1998-2000) 75’
|
|
4.i. (part) Bachsche Nachtdichtungen
(1999-2000)** 20’
|
|
4.ii. Unsere Afrikareise
(1998)***
35’
|
|
4.iii. Wachtend op de volgende
uitbarsting van repressie en censuur (2000) 15’
|
|
5. Etched Bright with Sunlight
(1999-2000) 25’
|
|
Kleine Feldmelodie (1999)
1’
|
|
...a performance of ‘Impressions
d’Afrique’ by Raymond Roussel at the Théatre Antoine (1999-2000)**
11’
|
|
Poor Stuff (1991-92/96/2000)
3’
|
|
ERIK SATIE like anyone else
(2000-2001)
20’
|
|
enough (2001) 20’
|
ELENA FIRSOVA
|
Hymn to Spring (1993)
6’
|
CHRISTOPHER FOX
|
Second Eight (1978-80)
8’
|
|
More Light (1988)
20’
|
|
I Sing for the Muses and
Myself (1991) 4’
|
|
llik/rellik (1991-93) 14’
|
|
You, us, me (Habanera) (1992)
6’
|
|
Block (1992) 2’
|
|
Worthless Leather (1992)
1’
|
|
More Things in the Air than
are Visible (1993-94) 18’
|
|
Paired Off (1995)
2’
|
|
Complementary Forms (1996)***
3’
|
|
Prime Site (1996-97)***
25’
|
|
Schwarme (1999)*** 8’
|
BEAT FURRER
|
voicelessness (the snow
has no voice) (1986)**
10’
|
GUY GARNETT
|
Available Forms (1997)
7’
|
LEOPOLD GODOWSKY
|
Selections from Phonoramas
- ‘Java’ Suite
|
|
Transcriptions of Albeniz
Tango
|
|
Chopin Etudes
|
|
Schubert Songs
|
|
Strauss Waltzes
|
ALEXANDER GOEHR
|
...in real time (1989-92)
30’
|
PERCY GRAINGER
|
Blithe Bells
|
|
Colonial Song
|
|
Handel in the Strand
|
|
|