|
Composer
|
Work
|
Date
|
Instrumentation
|
Duration
|
|
Robert Ashley
|
Quartet
|
1972
|
indeterminate
|
|
|
Richard Ayres
|
No
31***
|
1998
|
Solo
trumpet/ensemble
|
15
|
| |
For
Alfred Wallis
|
1993
|
Singing
harpist
|
7
|
| |
NONcerto***
|
1995
|
Solo
trbn. ensemble
|
13
|
Joanna Bailie
|
Five
Famous Adagios
|
2003
|
cl
+ string trio
|
12
|
Clarenz Barlow
|
1981
|
1981
|
Vln/cello/piano
|
8
|
|
until
|
|
electronic
guitar + CD
|
|
|
Relationships
|
|
vln/vc/pf
|
|
|
Con
fuoco alla Giordano & Uccelli Unghersi (from Fruitti dAmore)
|
|
solo
speaking cello
|
|
|
Piano
Concerto No. 2
|
|
tape
|
|
|
Estudio
Siete
|
|
computer
|
|
|
Kuri
Suti Bekar
|
|
computer
|
|
|
Varizioni
e un
|
|
|
|
|
David Behrman
|
Wave
Train
|
1966
|
Piano
+ feedback
|
15
|
| |
Players
with Circuits
|
1966
|
Piano
+ electronics
|
7
|
|
Henry Brant
|
Music
for a Five & Dime Store***
|
1936
|
Clarinet/piano
and kitchen percussion
|
6
|
|
George Brecht
|
Water
Yam
|
1962
|
Indeterminate
|
indeter
|
|
Earl Brown
|
Folio
|
1950s
|
Indeterminate
|
indeter
|
| |
Music
for cello & piano
|
1958
|
Cello/piano
|
10
|
|
Sylvano Bussotti
|
Grand
Duo***
|
1977-78
|
Cello/piano
|
9
|
| |
Setti
Fogli
|
1958-59
|
indeterminate
|
|
| |
Coeur
|
|
indeterminate
|
|
| |
Mobile-Stabile
|
|
indeterminate
|
|
| |
Sensitivo
|
|
indeterminate
|
|
|
John Cage
|
Harmonies***
|
1976
|
Keyboards
|
indeter
|
| |
Concert
for Piano
.etc
|
1957-58
|
Solo
piano/ensemble
|
indeter
|
| |
Europera
5
|
1991
|
2
singers, piano, tape..
|
60
|
| |
Five
|
1988
|
Any
5 insts.
|
5
|
| |
Fontana
Mix
|
1958
|
Multi-track
tapes
|
indeter
|
| |
Four
³***
|
1991
|
1/2
pianos, violin, rainsticks
|
40
|
| |
Music
for
|
1985
|
Variable
Ensemble
|
30
|
| |
Music
Walk
|
1958
|
Piano(s),
radio, objects
|
indeter
|
| |
Radio
Music
|
1956
|
1-8
radios
|
8
|
| |
Seven
|
1988
|
Fl,cl,perc,pf,vn,vla,vc
|
20
|
| |
Six
Melodies
|
1950
|
Vln/pno
|
9
|
| |
Song
Books
|
1970
|
Voices/electronics/tape
|
indeter
|
| |
Speech
|
1955
|
5
radios/newsreader
|
55
|
| |
Theatre
Piece
|
1960
|
1-8
performers
|
indeter
|
| |
Variations
I-IV
|
1958-1963
|
Indeterminate
|
indeter
|
| |
Music
for Three
|
|
|
|
|
Cornelius Cardew
|
Octet
61
|
1961
|
Indeterminate
|
|
| |
Autumn
60
|
1960
|
Indeterminate
|
|
| |
Treatise
|
1964
|
Indeterminate
|
|
| |
Volo
Solo
|
1966
|
Indeterminate
|
|
| |
Schooltime
Compositions
|
1968
|
Indeterminate
|
|
| |
Solo
with Accompaniment
|
1963
|
Indeterminate
|
|
| |
Second
String Trio
|
1958
|
String
trio
|
|
|
James Clarke
|
Delirium***
|
1996
|
Conducted
ensemble (vln/cello/piano/perc/fl/cl)
|
7
|
| |
La
Violenza dell Idee
|
1991
|
Conducted
ensemble
(bass fl/bass cl/harp/perc/viola/dbass)
|
8
|
| |
Verstφrung
|
1990
|
Bass
clar/cello/piano
|
9
|
| |
Deformierte
texte
|
1997
|
Sop/perc/piano
|
10
|
| |
Afterglow***
|
1995
|
6
players
|
8
|
| |
Oboe
Quintet
|
|
Oboe
& string quartet
|
|
| |
Delmenhorst
|
|
oboe/fl/cl/perc
+ string trio
|
|
| |
Verstφrung
|
|
bass
cl/cello/piano
|
|
| |
Deformierte
Texte III
|
2003
|
cello/cl/trom/acc/voice
|
10
|
|
Philip Corner
|
Lovely
Music***
|
1962
|
Indeterminate
|
|
| |
Punkt
|
1962
|
|
|
| |
Concert/Chirographic**
|
1961/62
|
|
|
| |
Gamelan
Series
|
1970s/90s
|
|
|
| |
elementals
|
1975
|
Indeter.
|
Up
to a week
|
| |
Saties
Rose Cross Prelude as a Revelation
|
|
voices/cello/harp/eguit/piano/perc
|
|
| |
Punktus
cum Punktum
|
|
cello/eguit/piano/harp
|
|
|
Laurence Crane
|
Trio
for Ros and Peter
|
|
Piano
trio
|
5
|
| |
Jurgen
Hip
|
|
Cello/piano
3 hands
|
4
|
| |
Hugo
Pine
|
|
Violin/piano
3 hands
|
4
|
| |
Derridas
|
|
Piano
|
|
| |
Five
Preludes
|
|
Cello/piano
|
10
|
| |
Sparling
|
|
Clarinet/piano(guitar)
|
5
|
| |
Riis*
|
|
Organ/cello/clarinet
|
8
|
| |
Second
Favourite Chord*
|
|
Cello
& piano
|
2
|
| |
John White in Berlin
|
2003
|
cello/eguit/piano/perc
|
10
|
| |
20th
Century Music
|
|
solo
piano
|
|
|
Ian Crutchley
|
Gear*
|
1999
|
Vln/clar.
|
8
|
|
James Dillon
|
Redemption
|
|
Violin/clar/piano
|
9
|
|
Marcel Duchamp
|
Erratum
Musicale
|
1913
|
Indeterminate
|
indeterminate
|
|
Hanns Eisler
|
Song
Arrangements
|
|
|
|
|
Morton Feldman
|
Durations
I-V
|
1950s/60s
|
Various
|
40
|
| |
For
Franz Kline
|
1962
|
Spo/vn/cello/hn/chimes/pf
|
13
|
| |
For
Frank OHara
|
1973
|
Fl/clr/per.
x 2/pno/vln/cello
|
13
|
| |
I
met Heine
..
|
1971
|
Fl/cl/per/pno/vln/cell/
female voice
|
10
|
| |
De
Kooning
|
1963
|
Hn/per/pn/vln/cello
|
10
|
| |
The
OHara Songs
|
1962
|
Bass
bar/string trio/chimes/piano
|
10
|
| |
4
Songs to e.e. cummings
|
1951
|
Sop/cello/piano
|
8
|
|
Luc Ferrari
|
Watch
this space
..
.
|
|
|
|
| |
Bonjour
comment ηa va?
|
|
bass
cl/vc/pf
|
|
| |
Chansons
pour le corps
|
1988-94
|
2
cl/perc/piano/DX7/solo voice/electronics
|
|
|
Michael Finnissy
|
Recent
Britain*
|
1998
|
Cl/cello/bass/pno/tape
|
25
|
| |
WAM
|
1991
|
Piano
+ 2
|
15
|
| |
In
Stiller Nacht
|
1990
|
Piano
trio
|
10
|
|
Christopher Fox
|
Straight
Lines in Broken Times 2
|
|
Clarinet
/violin/piano
|
9
|
| |
Straight
Lines
3
|
|
Solo
cello
|
7
|
| |
Skin*
|
1999
|
String
Trio
|
19
|
| |
Memento***
|
|
Piano
Quartet
|
11
|
| |
How
Time Passes
|
|
Solo
violin
|
7
|
| |
An
der Schattengrenze
|
2002
|
cello/viola/dbass/trom/cl/piano/perc/bass
flute
|
17
|
| |
Blank
|
2002
|
string
quartet
|
11
|
| |
Composition
in black, yellow and red
|
2003
|
piano/perc/cello/acc
|
12
|
| |
Oboe
Quintet
|
|
oboe
& string qt
|
|
| |
Heliotropes
6
|
|
string
quartet
|
|
| |
Generic
Compositions
|
|
all
instruments
|
|
| |
Everything
You Need To Know
|
|
|
|
|
Peter Garland
|
Where
Beautiful Feathers Abound
|
1988
|
Piano
Quartet
|
13
|
|
Malcolm Goldstein
|
It
were another
|
|
|
|
| |
Vermont-TheSeasons
|
1983
|
Ensemble/tape
|
60
|
|
Daniel Goode
|
Eine
Kleine Gamelan Music***
|
|
Clarinet/cello/piano/
trombone
|
2
|
| |
(Wind)
Symphony***
|
1983
|
Ensemble
|
indeter
|
|
Bryn Harrison
|
Four
Parts to Centre
|
2002
|
viola/cello/eguit/cl
|
17
|
|
Volker Heyn
|
i(NA)***
|
1994
|
Voice
& electric guitar
|
8
|
|
Pelle-Gudmundsen Holmgreen
|
Plateaux
Pour Deux
|
1970
|
Cello
and car horns
|
14
|
| |
Mirror
Pieces
|
1980
|
Clar/cello/piano
|
17
|
|
Klaus Huber
|
Des
Dichters Pflug
|
1989
|
String
Trio
|
13
|
| |
Schatten
Blδtter
|
1975
|
Clr/cello/piano
|
12
|
| |
Lazarus
I/II***
|
1980
|
Cello/piano
|
8
|
|
Klaus K. Hόbler
|
Chanson
sans Paroles***
|
1978
|
Cl/cello/piano
|
9
|
|
Jerry Hunt
|
Chimanzzi
(Olun): double
|
|
version
for eguit/piano/perc/cello
|
|
|
Tom Johnson
|
Naryanas
Cows***
|
1989
|
Cl/cello/piano/voice
|
16
|
| |
Predictables
|
1984
|
Piano
trio
|
15
|
| |
Einstimmiger
Polyrhythmus***
|
1992
|
Cello/guitar/clar
|
16
|
|
Mauricio Kagel
|
Piano
Trio in 3 Parts
|
1985
|
Violin/cello/piano
|
25
|
| |
Unguis
Incarnatus Est
|
1972
|
Bass
inst./piano
|
10
|
|
Dorothy Ker
|
Water
Mountain*
|
1999
|
Cl/vln/cello
|
10
|
|
Hans w. Koch
|
Strang
|
2002
|
harp/cello/eguit/electronics
|
8
|
|
Helmut Lachenmann
|
Allegro
Sostenuto
|
1986
|
Cl/cello/piano
|
30
|
|
John Lely
|
Fall
in the fresh lap of the cloudy messenger
|
2002
|
string
quartet/organ/CD + hotel desk bells
|
10
|
| |
Les
Gnocchis de lautomne
|
2003
|
cello/piano/eguit/perc/harp
|
10
|
|
Alvin Lucier
|
Letters
|
1990s
|
Cl/vln/cello/pno
|
8
|
| |
Fidelio
Trio
|
1987
|
Vla/cello/piano
|
12
|
| |
Music
on a Long Thin Wire
|
|
electronics
|
|
|
George Maciunas
|
Piano
Piece #13 (for Nam June Paik)
|
|
piano,
hammer and nails
|
|
|
Jackson Mac Low
|
Gathas
|
1986
|
Voices/insts.
|
indeterminate
|
| |
Dream
meditation
|
|
Voices/insts.
|
|
|
David Mahler
|
Two
Voices
|
1986
|
2
voices/2 insts.
|
5
|
|
Daniel Matej
|
Make
Love, Not Art!
|
1993
|
indeterminate
|
10
|
|
Harald Muenz
|
Accumulated
strings
|
2002
|
harp/cello/eguit/electronics
|
12
|
| |
BeethovEnBloc
|
|
A
DAT tape
|
|
| |
schweigenderest
|
|
A
DAT tape
|
|
|
Chris Newman
|
Songs
of Social Conscience
|
1991
|
Voice/ensemble
|
15
|
| |
Berlin
Note Rows
|
|
Voice/ensemble
|
|
| |
String
Quartet
|
1981
|
string
quartet
|
|
| |
Cologne
or Belgium
|
|
trombone/voice
|
|
|
Phill Niblock
|
Not
Untitled/Knot Untied, Old
|
|
Indeterminate
|
22
|
|
Harry Nitz
|
12-1-LXXIX
& 6-1-LXXXI
|
2002
|
string
quartet/harp
|
12
& 6
|
|
Helmut Oehring
|
Cayabyab***
|
1993
|
Bass
cl./cello/vibr.
|
18
|
| |
Losheit***
|
1992
|
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